GRADE: 9-12
COURSE: Art I
TOPIC: Drawing
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STAGE 1:
IDENTIFY DESIRED RESULTS |
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Content Standard(s) Generalizations
about what students should know and be able to do |
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Established Goals: State and National
Content Standards (NAEA) Content Standard
#1: Understanding and applying media, techniques and processes. Content Standard #2:
Using knowledge of structures and functions. Content Standard #3:
Choosing and evaluating a range of subject matter, symbols and ideas. Content Standard
#4: Understanding the visual arts in relation to history and cultures. Content Standard
#5: Reflecting upon and assessing the characteristics and merits of their
work and the work of others. Content Standard
#6: Making connections between visual arts and other disciplines. Students will be
able to: 1.
Communicate
in Standard English for a variety of purposes. 4.
Acquire
and evaluate information in order to interpret events, issues and/or ideas, and
to make informed judgments and responses. 6.
Utilize
technology to obtain, organize and communicate information, and to solve
problems. |
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Enduring Understandings Insights learned from exploring generalizations via
the essential questions (Students will understand THAT…) |
Essential Questions Inquiry
used to explore generalizations |
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Knowledge and Skills What
students are expected to know and be able to do |
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Students will know…
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Students will be able to…
pencils, colored pencils, chalk pastels,
oil pastels, charcoal and inks. 2. compare works of art to one another in terms of history, aesthetics and culture. 3. conceive and create original works of art. 4. apply visual arts knowledge and skills to communicate
ideas and personal expression. 5. communicate using proper art vocabulary. |
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STAGE 2:
DETERMINE ACCEPTABLE EVIDENCE |
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Performance Task(s) Authentic
application in new context to evaluate student achievement of desired results
designed according to GRASPS (Goal, Role, Audience, Setting Performance,
Standards) |
Other Evidence Application that is functional in a classroom
context only to evaluate student achievement of desired results |
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Goal: To create a composition that puts the viewer above
or below the horizon. Role: You are the viewer looking at an object or
environment. Ex. landscape/seascape. Situation: Create a composition as if you are above or
below your subject. Example: you are a bird or a fish. Find the horizon and
determine the perspective points. Establish a light source to create depth
and to emphasize the impact of your position. Product Performance and Purpose: How can you create the illusion
of extreme depth on a flat surface? What artists in history used perspective
to create extreme depth? How did they apply it? Other then the use of
vanishing points what other elements of design can be used to develop depth
and space in a drawing? Note: Teachers will
use rubrics to score performance tasks. |
Teacher assessment Student assessment Student display |
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STAGE 3: SUGGESTED
RESOURCES |
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Google Artcyclopedia.com Perspective Without Pain, Phil Metzger Perspective Made Easy, David R Morin Artist’s Guide to Composition, Watson How to Draw and Paint in Pastels, Pencils and Pen &
Ink, Stan Smith Dynamic Light and Shade, Burne
Hogarth |
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GRADE: 9-12
COURSE: Art I
TOPIC: Painting
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STAGE 1:
IDENTIFY DESIRED RESULTS |
|
|
Content Standard(s) Generalizations
about what students should know and be able to do |
|
|
Established Goals: State and National Content Standards (NAEA) Content Standard
#1: Understanding and applying media, techniques, and processes. Content Standard
#2: Using knowledge of structures and functions. Content Standard
#3: Choosing and evaluating a range of subject matter, symbols, and ideas. Content Standard
#4: Understand the visual arts in relation to history and cultures. Content Standard
#5: Reflecting upon and assessing the characteristics and merits of their work
and the work of others. Content Standard
#6: Making connections between visual arts and other disciplines. Students will be able to:
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Enduring Understandings Insights learned from exploring generalizations via
the essential questions (Students will understand THAT…) |
Essential Questions Inquiry
used to explore generalizations |
|
|
|
Knowledge and Skills What
students are expected to know and be able to do |
|
|
Students will know…
|
Students will be able to…
|
|
STAGE 2:
DETERMINE ACCEPTABLE EVIDENCE |
|
|
Performance Task(s) Authentic
application in new context to evaluate student achievement of desired results
designed according to GRASPS (Goal, Role, Audience, Setting Performance,
Standards) |
Other Evidence Application that is functional in a classroom
context only to evaluate student achievement of desired results |
|
Goal: Create an Impressionist portrait using opposite or
complementary colors. Role: You are a
portrait painter and a client wants their portrait painted in the style of
the master Impressionists. Situation: Create a composition as if you are Degas or Van Gogh. Use blue and green shadows in the skin
tone. Analyze the colors on your pallet and come up with cool complementary
colors for the warm flesh tones. How did you substitute complementary colors
for blended colors? Note: Teachers will
use rubrics to score performance tasks. |
Teacher assessment Student assessment Student display |
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STAGE 3: SUGGESTED
RESOURCES |
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Google Artcyclopedia.com How to Paint and Draw Portraits, Stan Smith Painting with Acrylic Start to Finish, Barclay Sheaks Elements of Color, Van Nostrand
Reinhold Van Gogh, Frank Milner The Color Encyclopedia of the World, Jay Jacobs Impressionism, Phoebe, Pool History of Art , H.W. Janson Great Paintings of the Western World, Gerald F. Brommer |
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GRADE: 9-12
COURSE: Advanced Art
TOPIC: Drawing
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STAGE 1:
IDENTIFY DESIRED RESULTS |
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|
Content Standard(s) Generalizations
about what students should know and be able to do |
|
|
Established Goals: State and National
Content Standards (NAEA) Content Standard
#1: Understanding and applying media, techniques and processes. Content Standard
#2: Using knowledge of structures and functions. Content Standard
#3: Choosing and evaluating a range of subject matter, symbols and ideas. Content Standard
#4: Understanding the visual arts in relation to history and cultures. Content Standard
#5: Reflecting upon and assessing the characteristics and merits of their
work and the work of others. Content Standard
#6: Making connections between visual arts and other disciplines. Students will be able to:
|
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|
Enduring Understandings Insights learned from exploring generalizations via
the essential questions (Students will understand THAT…) |
Essential Questions Inquiry
used to explore generalizations |
|
|
|
Knowledge and Skills What
students are expected to know and be able to do |
|
|
Students will know…
|
Students will be able to…
|
|
STAGE 2:
DETERMINE ACCEPTABLE EVIDENCE |
|
|
Performance Task(s) Authentic
application in new context to evaluate student achievement of desired results
designed according to GRASPS (Goal, Role, Audience, Setting Performance,
Standards) |
Other Evidence Application that is functional in a classroom
context only to evaluate student achievement of desired results |
|
Goal: To create a poster that reflects your personal opinions
and beliefs on a selected theme. Role: You are an artist and need to create a poster expressing
your opinion on a current subject or event. It will be published as an
illustration in an article about you as an artist. Situation: You are
having an opening exhibit of your latest work and must capture the theme of the
show in a poster. Using any artistic style and technique create this original
image. Product Performance and Purpose: How can you create an illusion
that reflects the theme of your work through a poster? What other artists
have achieved this task? What techniques, materials or use of color can
project your feelings and mood on the subject? Note: Teachers will
use rubrics to score performance tasks. |
Teacher assessment Student assessment Student displays |
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STAGE 3: SUGGESTED
RESOURCES |
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|
Google Artcyclopedia.com How to Draw and Paint in Pastels, Pencils, and Pen
& Ink, Stan Smith Dynamic Light and Shade, Burne
Hogarth Artist’s Guide to Composition, Watson Modern Works of Art, The How to Look at Modern Art, Philip Yenawine Exploring Visual Design, Joseph A. Gatto The Drawing Handbook, Stuart Purser |
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GRADE: 9-12
COURSE:
Advanced Art
TOPIC: Painting
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STAGE 1:
IDENTIFY DESIRED RESULTS |
|
|
Content Standard(s) Generalizations
about what students should know and be able to do |
|
|
Established Goals: State and National Content Standards (NAEA) Content Standard
#1: Understanding and applying media, techniques and processes. Content Standard
#2: Using knowledge of structures and functions. Content Standard
#3: Choosing and evaluating a range of subject matter, symbols and ideas. Content Standard
#4: Understanding the visual arts in relation to history and cultures. Content Standard
#5: Reflecting upon and assessing the characteristics and merits of their
work and the work of others. Content Standard
#6: Making connections between visual arts and other disciplines. Students will be able to:
|
|
|
Enduring Understandings Insights learned from exploring generalizations via
the essential questions (Students will understand THAT…) |
Essential Questions Inquiry
used to explore generalizations |
|
|
|
Knowledge and Skills What
students are expected to know and be able to do |
|
|
Students will know…
|
Students will be able to…
|
|
STAGE 2:
DETERMINE ACCEPTABLE EVIDENCE |
|
|
Performance Task(s) Authentic
application in new context to evaluate student achievement of desired results
designed according to GRASPS (Goal, Role, Audience, Setting Performance,
Standards) |
Other Evidence Application that is functional in a classroom
context only to evaluate student achievement of desired results |
|
Goal: Create an Impressionist landscape from a realistic
setting. Role: You are an Impressionist painter. Imagine you are outdoors painting plein air. How
would an Impressionist capture the light and color at this time of day? Situation: Create a landscape composition as if you are a
master Impressionist. Example: Monet,
Degas, Van Gogh, Renoir, Manet, Sisley,
Pissarro, Cassatt, etc. How
did you substitute complementary colors for blended colors? What brush stroke did you use to create the
illusion of dancing light? How this is
composition different from other painting styles you have studied? Example; Cubism, Abstract Expressionism,
etc. Note: Teachers will
use rubrics to score performance tasks. |
Teacher assessment Student assessment Rubrics Classroom critiques School/student display |
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STAGE 3: SUGGESTED
RESOURCES |
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|
Google Artcyclopedia.com How to Draw and Paint from Nature, Stan Smith Exploring Painting, Gerald Brommer Painting with Acrylic Start to Finish, Barclay Sheaks Elements of Color, Van Nostrand
Reinhold Van Gogh, Frank Milner The Color Encyclopedia of the World, Jay Jacobs Impressionism, Phoebe, Pool History of Art , H.W. Janson Great Paintings of the Western World, Gerald F. Brommer How to Draw and Paint Landscapes, Stan Smith |
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GRADE: 9-12
COURSE: Introduction to 3-D Design
TOPIC: Ceramics
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STAGE 1:
IDENTIFY DESIRED RESULTS |
|
|
Content Standard(s) Generalizations
about what students should know and be able to do |
|
|
Established Goals: State and National Content Standards (NAEA) Content Standard
#1: Understanding and applying media, techniques and processes. Content Standard
#2: Using knowledge of structures and functions. Content Standard
#3: Choosing and evaluating a range of subject matter, symbols and ideas. Content Standard #4:
Understanding the visual arts in relation to history and cultures. Content Standard
#5: Reflecting upon and assessing the characteristics and merits of their
work and the work of others. Content Standard
#6: Making connections between visual arts and other disciplines. Students will be
able to: 2.
Communicate
in Standard English for a variety of purposes. 5.
Acquire
and evaluate information in order to interpret events, issues and/or ideas,
and to make informed judgments and responses. 7.
Utilize
technology to obtain, organize and communicate information, and to solve
problems. |
|
|
Enduring Understandings Insights learned from exploring generalizations via
the essential questions (Students will understand THAT…) |
Essential Questions Inquiry
used to explore generalizations |
|
1.
What are examples of positive and negative space
in everyday life? 2.
What are the three basic methods of hand building
clay? 3.
How was pottery used in various cultures
throughout history? 4.
What textures and patterns did you use to embellish
your project? 5.
What advantage does the wheel give a potter
when creating ceramic forms? 6. What are the
functions of glazes? |
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Knowledge and Skills What
students are expected to know and be able to do |
|
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Students will know… 1.
ways to create forms
using the methods of pinch, coil, slab and the wheel. 2.
sculpture is a
three-dimensional abstract and realistic form. 3.
relief is a
two-dimensional forms with a common background. 4.
textures are surface
embellishments that can be used as patterns of personal expression. 5.
pottery and sculpture
have recorded history and culture throughout time. |
Students will be able to… 1. conceive and create original pieces of pottery
and sculptures based on the elements of design. 2. apply media and techniques to create abstract or realistic pottery. 3. compare works of art to one another in terms of history, aesthetics and culture. 4. use proper vocabulary and skills to communicate ideas and personal expression through ceramic projects. |
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STAGE 2:
DETERMINE ACCEPTABLE EVIDENCE |
|
|
Performance Task(s) Authentic
application in new context to evaluate student achievement of desired results
designed according to GRASPS (Goal, Role, Audience, Setting Performance,
Standards) |
Other Evidence Application that is functional in a classroom
context only to evaluate student achievement of desired results |
|
Goal: To build a piece of pottery using all three hand-forms Role: As a potter you are responsible for designing and
constructing a container that incorporates three construction methods. Situation: Use t | |